In essence
Binaural recording is a stereo recording technique that differs
from all the others in that it has to be played back through
headphones as opposed to speakers. Binaural recordings can be
some of the most realistic recordings spatially, but only when
played back on headphones and usually if played back on speakers,
the stereo imaging can be quite poor. This is because the headphones
ensure that each ear only hears what was recorded by the microphone
on that side of the head, whereas speakers produce crosstalk
so that some of the sound from the left speaker can be heard
by the right ear, and vice versa, muddying the spatial imaging.
Binaural recordings are made using a pair of microphones spaced
about 6 inches apart so as to imitate the human ears but crucially
with a baffle in between them to emulate the head and dummy
heads (models of a human head with mics fixed to, or inside)
are available from some high end suppliers such as Neumann.
However these dummy heads can be very expensive (The Neumann
K100 Binaural Head costs £5,500) so most sound engineers
use their own head, and either attach mics near their ears such
as on a pair of glasses, or in some cases tape them inside their
ears. However perfectly good results can be obtained by spacing
two mics 6" apart and putting a sound-absorbing baffle
like a rolled-up towel between them to emulate the head. The
spacing of the mics, and the 'sound shadow' cast by the head,
produce auditory cues that the brain decodes into spatial information
that can be uncannily accurate and a recording played back in
the same room as it was recorded in, can be very scary! If someone
speaks behind the head on the recording, for instance, the listener
will usually turn to answer someone who's no longer there!
Ideally
the mics should be Omni directional, and the Sony ECM 50 omni
lavaliere mic was the standard for early experiments in Binaural
recording. You can still pick them up fairly cheaply on EBay
but happily most cheap tie-clip mics from Maplin or Radio Shack
are miniature Omnis costing only a few pounds. With the new
range of small battery powered stereo recorders like the Zoom
H4 it is within the grasp of anyone now to get out there and
start making some Binaural recording. As with all techniques,
the advice is to experiment and many amateur binaural recordings
can be very impressive, especially on subjects with stereo movement.
Most
of the info on this page was taken from Steve
Marshall's excellent site on Binaural Recording and there's
much more detailed information on all of this on his Sound
on Sound article about the making of Bilocation.