In essence
Binaural recording is a stereo recording technique that differs
from all the others in that essentially it has to be played
back through headphones as opposed to speakers. Binaural recordings
can be some of the most realistic recordings spatially, but
only when played back on headphones and usually if played back
on speakers, the stereo imaging can be quite poor. This is because
the headphones ensure that each ear only hears what was recorded
by the microphone on that side of the head, whereas speakers
produce crosstalk so that some of the sound from the left speaker
can be heard by the right ear, and vice versa, muddying the
spatial imaging. Binaural recordings are made using a pair of
microphones spaced about 6 inches apart so as to imitate the
human ears but crucially with a baffle in between them to emulate
the head and dummy heads (models of a human head with mics fixed
to, or inside) are available from some high end suppliers such
as Neumann. However these dummy heads can be very expensive
(The Neumann K100 Binaural Head costs £5,500) so most
sound engineers use their own head, and either attach mics near
their ears such as on a pair of glasses, or in some cases tape
them inside their ears. However perfectly good results can be
obtained by spacing two mics 6" apart and putting a sound-absorbing
baffle like a rolled-up towel between them to emulate the head.
The spacing of the mics, and the 'sound shadow' cast by the
head, produce auditory cues that the brain decodes into spatial
information that can be uncannily accurate and a recording played
back in the same room as it was recorded in, can be very scary!
If someone speaks behind the head on the recording, for instance,
the listener will usually turn to answer someone who's no longer
there!
Ideally
the mics should be Omni directional, and the Sony ECM 50 omni
lavaliere mic was the standard for early experiments in Binaural
recording. You can still pick them up fairly cheaply on EBay
but happily most cheap tie-clip mics from Maplin or Radio Shack
are miniature Omnis costing only a few pounds. With the new
range of small battery powered stereo recorders like the Zoom
H4 it is within the grasp of anyone now to get out there and
start making some Binaural recording. As with all techniques,
the advice is to experiment and many amateur binaural recordings
can be very impressive, especially on subjects with stereo movement.
Most
of the info on this page was taken from Steve
Marshall's excellent site on Binaural Recording and there's
much more detailed information on all of this on his Sound
on Sound article about the making of Bilocation.