Shure SM 57, snare drum microphone

 
microphones

Apologies for the lack of new material but the mobile and the studio are so busy at the moment that weve just not had time to put any new stuff up. We have some great new sessions waiting to go up and a sneak preview of a fantastic new compresser but thats all to come!!!!! In the meantime have a read about the first in our series of great mics under £100

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Shure SM57

Everybody who runs a pro recording studio has at least one Shure SM57 and most PA companies will have half a dozen. The reason is that that will make a decent job of recording most things and really for the snare drum it's the recording microphone of choice over mics costing 10 times as much. Listen to 20 classic albums and chances are the snare and probably the electric guitar cabs have been miiked with a Shure SM57. It's a directional cardioid dynamic mic and it records what you point it at, rejecting sound from the side and rear. Added to this it can handle really loud sound without a pad making it great for drums and roooockkkk guitars

Recording

The SM57 is a dynamic microphone with a cardioid, directional pattern. It doesn’t need phantom power and it records what you point it at and rejects stuff from the side and from behind. It's great on drums particularly the snare and toms and it can do this without a pad, where a condenser mic's sound would break up with distortion. Because of its size and shape it can be positioned easily in the drum kit and it really is the industry standard snare mic, featured on literally thousands of recordings.

What can you say? the Shure SM57 really is the microphone for the snare though I sometimes wish it was a bit brighter, because if you get a drummer with no real technique who thrashes the high hats, the bleed down the 57 isn’t very pleasant. However that’s nothing to do with the mic and everything to do with the drummer. They’re great on guitar cabs, great on brass, I use them on everything really. I've used them for vocals and they are great with a good pop shield but again it all depends on the singer's voice and technique.
The Shure SM57 is identical to the SM58 internally but the SM58 has the round cage top to house an internal windscreen and because the ball forces the singer to be a greater distance from the mic's diaphragm, the proximity effect is lessened. The windscreen also dampens the hi frequency response as it cuts wind noise. but with its shorter grill design it allows the singer to get closer to the source and therefore can have a greater proximity effect
On loud rock guitars I stick it right up to the speaker cone, about an inch or two away, and experiment just moving it around slightly. I often pair it up with a Sennheiser 421 and experiment with their relative positions and mix them together. The only real drawback with the SM57 is that it needs lot of gain at the preamp when recording softer sounds which can bring in noise from the preamp (although the microphone itself is generally quiet). So use it for what its good at and use it to record loud things. The bottom line is, like its partner the Shure SM58, it's a great workhorse and I have had 2 for about 20 years and they work perfectly today despite being clouted hundreds of times by drummers over the years
.JS

Hear the Shure SM57
The Brew session: Snare Drum
Circus Envy session: Snare Drum
Mostly Autumn session: Snare Drum
 
 
 
Microphones and recording 2008. Shure SM57 Microphones