Shure SM81 review

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Shure SM81

The Shure SM81 is a high-quality, cardioid condenser microphone designed for studio recording, broadcasting, and sound reinforcement and its wide frequency response and low noise characteristics have established it as a standard for applications involving acoustic instruments, especially strings, piano, and cymbals. It gives a pretty faithful reproduction of whatever you point it at and you can use it for vocals though it is very sensitive to plosives. To be fair, the mike probably wasn't really designed for voice work, but you can get round the problem using a good pop shield. The mic also has a three position low frequency roll off and attenuation switches making it a pretty versatile performer.
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Recording

We've had a pair of SM-81s in the studio since they came out in 1978 (in fact we bought 3, for reasons we still can't work out) and they have been fantastic workhorse microphones since day one. They have always lost out on drum overheads to the Neumann Km-84s but like them, they are a small diaphragm condenser mic and brilliant for recording acoustic instruments of any kind. They are good with pianos and even brass but are particularly good for recording strings and on a recent trip to Chapel studios in London to check out a large orchestral overdub the entire front row of was miked with SM-81s. The problem for the SM81s in the studio is that because I’ve got a pair of 414s, a pair of U87s and a pair of KM 84s the Shure mics tend to not get much of a look in but I have used them on lots of different things and I would say that they are a pretty faithful mic. I find the bottom end a bit troublesome and if you put one in front of an acoustic guitar you need to use the 3 position bass roll. Having said that I have to say that for the money they are pretty good mics its just that they are up against such stiff competition these days. If you ever see a pair on Ebay get a bid in. JS.

I have taken a pair of Shure SM81s out with the mobile on a number of occasions and I have to say that I 've had some particularly good results recording a piano in stereo about 4 feet away and above the center of the piano and pointing down towards the peg board. I also got a really nice sound on a solo violinist and I've also had great results recording a clarinet. I think that it's all to do with the top end of the mic which has a really smooth qualityJR

 
 
 
 
Microphones and recording 2008. Shure SM81 Microphones