microphones for recording, microphone reviews, which microphone

 

The Ribbon mics continue to impress with a great new acoustic session from Graham Hodge CHECK IT OUT. The BIG IDEA is to run a studio recording materclass weekend. Look out for details!!!!!!!!!

 

Session Notes
Graham Hodge
The Brew
Fabulous Ducks Live
Circus Envy
Anya Thomson
Henwen
Haverhill Silver Band

Graham Hodge

Graham Hodge is a guitarist/singer/songwriter based near York in the UK who spent three days recently in Fairview Studio recording a mixture of covers and original material for his new album. I’ve known Graham for a number of years but only recorded him once before when he was guesting with a band adding some acoustic guitar and vocal overdubs. Graham is a really nice player and singer and on this session he really wanted to capture an intimate performance by recording the guitar and vocal together. No overdubs. We had been getting some great results with the AEA ribbons so they were tried out first as figure 8 mics are great for this kind of job. By careful positioning you can align the null points of the mics to cut out much of the vocal spill on the guitar mic and visa versa.
.
The session
First of all I set up the two AEAs with pop shields, one on the guitar and the other on the vocal, and spent some time experimenting somewhat with position to achieve maximum separation whilst checking the phase coherence. The ribbons went through a Focusrite isa 428 and Graham was particularly happy with the sound of his guitars.
In addition to the ribbons I put up a pair of spaced Hebdensound omnis about 4 feet apart and about three feet in front of the performer at head height to give me some natural ambience to add if needed. So the basic setup was the ribbons providing a full-bodied rich sound with the omnis adding some nice spatial content and brightness. The whole thing came together really quickly and all the mics were routed flat and uncompressed to separate tracks on our Otari Radar system. That's about it really as once I was happy with the set-up we spent the rest of the first two days recording takes for 13 songs.
At the mix I compressed the vocal track through a Urei 1176 and the guitar through an Audio Design FX769 adding a small amount of reverb via our AMS RMX16 on a plate setting JS


Recording Tracks
Guitar: AEA R84 Vocal: AEA R84  
Ambience Left: Hebden sound  
To hear the audio files above simply double click on them and they will play in the media player you have set on your computer. To download the files, create a new folder on your hard drive and then right click on the files above and choose "Save as Target" to your new folder. When you have downloaded all the files open up Cubase or a similar audio programme and create a new project. In Cubase go to Import<audio files and select all the MP3s in the folder. Cubase will ask you if you want them on the same track or separate tracks. Choose separate tracks and it will paste them into a new project for you. SEE VIDEO.
 

The song
Tom Waits wrote the song "Georgia Lee" as one of the tracks on his 1999 Album Mule Variations in response to events that happened near his home in northern California when a young 12 year old girl was kidnapped and murdered and her body
dumped in a nearby patch of trees. The opening line references the hymn Dark Was the Night, Cold Was the Ground, famously recorded by Blind Willie Johnson and Waits was disturbed at the possibility that cases involving kids like Georgia Lee don't get as much press coverage because they're too poor or too black or they're not photogenic enough. No suspect was ever caught.