The
session
Joel's
kit was mic'd as follows....
Bass drum mic..... Audix D6 set inside the bass drum
along with an Audio Technica 4047 just outside the shell,
summed to mono and compressed with a Focusrite Red direct
to Radar.
Snare Drum was mic'd with a Sennheiser e609 on the top,
also through my TLA mic pre and a Shure SM57 underneath
through a desk channel balanced, phase checked and summed
to one track via a Urei 1176 compressor.
The toms were mic'd with Sennheiser MD421s and recorded
flat.
The overhead mics were Neumann u87s.
I added a Golden Age R1 ribbon into the set up placed
in a gap between the snare and toms. This was recorded
flat onto a seperate track and fed into the mix up the
centre. It added a certain “thickness” to
the sound.
I also put up a very old AKG C414 in it's omni position
about 5 feet in front of the kit and at cymbal height.
This too was recorded onto a seperate track and fed
into the mix.
I like these mono drum room tracks and find myself feeding
them more and more into the mix to add some realism
to the drum sound.
The
bass guitar cab was mic'd with my Neumann u47 fet through
a GA Pre 1073 and compressed with one of my old AD limiters
straight to Radar. Chaz gets exactly the sound he wants
coming out of the cab and that makes it so much easier.
Steve's
guitar amp was mic'd with the lovely ADK TT......right
up against the grille and slightly off-centre of the
speaker cone....routed direct to Radar via an old Audio
Developments compressor.
Dave's
guitar was recorded with another old AKG C414 on it's
Hyper-Cardiod setting, again flat and routed to Radar
via another old AD compressor.
After
getting a take we all liked we tracked up both Steve
and Dave's guitar parts.
Steve's vocals were added using the ADK TT as were the
other vocal parts.
This
was an interesting session for me on a couple of levels.
I worked as FOH engineer for International Rescue in
the early '80s when I was moving into studio work. I
saw what they could do to an audience and how well they
put themselves across. I subsequently recorded them
over a couple of albums and was never able to capture
the energy and spirit of their live performances. I
have to say that they'd also recorded an album in another
studio which also failed to live up to their live potential.
So I made a conscious effort with this recording to
try and make their playing environment as close as possible
to live or rehearsal..all doors open...amps cranked
up loud and don't worry about the spill and the band
reckon it worked.
Certainly they all enjoyed the recording day and that
wasn't true for them all in the past
The mix was just
a matter of trying to recreate what was going on the
room....no special FX, no fancy reverbs just balance
it as it sounded on the day.
Enjoy playing with it and good luck!!